| "hey, I don't really give a damn what you think of my playing, 'cuz it feels   good and it sounds alright to me, baby."  Staten Islander Tom Wright remembers Ron Asheton of the Stoogesby Ben Johnson/Staten Island AWE 
        Friday January 09, 2009, 12:26 PM 
 The Advance's Tom Wright mugs with Stooges guitarist Ron   Asheton after a show in 2002 by the Detroit supergroup-of-sorts, Powertrane,   which features two longtime veterans of the Detroit music scene, Scott Morgan   (lead singer with the Rationals and Fred "Sonic" Smith's sidekick in Sonic's   Rendezvous Band) and Robert Gillespie (lead guitarist with Rob Tyner's post-MC5   solo group and Mitch Ryder sideman along). This particular show featured special   special guests, Deniz Tek, guitarist from Radio Birdman and Ron Asheton at   Brooklyn's Warsaw. CAZZO CHE SERATINA COI FIOCCHI!    Tom Wright, a designer at the Advance and a sometimes music critic,   offered up this eulogy for recently deceased Stooges guitarist Ron Asheton Remembering Ron To look at -- or better yet, to have met -- Ron Asheton, makes it hard to   believe that this teddy-bear of a guy could punch out some of most ferociously   wild and influential guitar playing in rock 'n' roll. Friendly and gentle, and utterly without airs, Ron was patient enough to   answer any question, sign autographs and pose for pictures. While many tend to   shine the light on Iggy Pop's riveting antics and nihilistic-to-humorous lyrics,   the Stooges -- of which Ron was one -- were absolutely the sum of its parts. Ron's riffs and fuzz-wah-laden leads, were the foundation of the band's first   two all-time classic albums ("The Stooges" and "Fun House"). Trying to imagine   punk, grunge or almost any sub-genre of indie rock without the template and   inspiration Asheton provided is unthinkable. As the MC5 guitarist Wayne Kramer sheepishly confessed, while his bandmates   made fun of Ron's more primitive style, they acknowledged his raw spirit; a deep   emotional well that overrode his lack of polish. After the band's bassist, Dave Alexander departed, and the ravages of   substance abuse, egos (primarily Iggy's) and poor sales took their toll, Ron was   demoted to the band's bass player. New guitarist James Willamson (admittedly, a   great player and asset to the band) conspired with Pop to become the Jagger and   Richards of their genre. The band disintegrated in the early '70s, leaving Asheton to soldier on as   best he could. He dabbled in low-budget horror flicks and numerous other notable   groups, such as New Order (not the more famous UK band) , Destroy All Monsters,   Dark Carnival, New Race and the Wylde Ratttz, a supergroup featuring Sonic   Youth's Thurston Moore, Mudhoney's Mark Arm, Dinosaur Jr.'s J. Mascis and Mike   Watt. Though Iggy expressed a desire to reunite with The Stooges sometime in the   late '90s, it wasn't until 2003 that Pop made good on his promise and the   reunion that few expected would ever happen, did. The combination of Ron dying alone a few days ago at age 60 and the loss of a   truly great original is beyond sad. Just as depressing, his death also likely   signals the end of The Stooges. But rather than wallow, let's celebrate the fact that Asheton was able to   rise to prominence once again for a few good fruitful years with his bandmates.   I'm sure he would. And despite some less-than favorable reviews that the 2007 reunion album,   "The Weirdness," received, give it another listen in five years. Then come back   and tell me that it doesn't stand up better than a lot of our current,   whine-soaked indie-rock.    
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